"The organ of St George’s Chapel, Windsor Castle has a suitably broad palette of colours and packs a punch."

"Timothy Byram-Wigfield is just such a musician. What is more, he communicates an unflinching confidence in the music: confidence in long held chords that are beautiful in themselves and therefore worth holding; confidence in monodies that possess a strange ability to suggest both harmony and texture; confidence in complex rhythms and dissonant harmonies; and, most of important of all, confidence that the music is always saying something, no matter how obscurely."

ORGANISTS' REVIEW

"Strange, perhaps, that so much Englishness delivers such convincing and delightful Messiaen; Le Corps Glorieux, is an uneasy corner of the oeuvre, which can easily sound flimsy, but here the interpretation is intelligent and rigorous, especially in the more diffuse monodic passages and the acoustic surprisingly – almost suspiciously – rich."

"This is glorious music, brilliantly performed. T B-W has clearly studied the composer and the compositions thoroughly to bring us what may be one of the definitive modern recordings of these highpoints in twentieth-century composition. The Windsor Harrison turns out to be a remarkably good vehicle for this oh-so-French of French composers, though I recall the Sidney Campbell designs being very much influenced by continental developments and requirements. Every track is special. Very highly recommended."

THE ORGAN