"Briggs admits to various influences including one of her mentors James Macmillan. But the most obvious one to my ears, well they're the French sacred choral composers, especially Maurice Duruflé, his Requiem, as you'll hear in the opening, similarly based on plainsong ... This is the first recording [of this piece] from the Choir of King's College, London, with organist Richard Gowers, directed by Joseph Fort. We probably come to expect solo sopranos or boy trebles, but the darker, richer timbres of mezzo Anita Monserrat are striking; the choir sings very well, the recorded balance with the organ is excellent, and it's the first recording dedicated to Kerensa Briggs's music. It's a lovely way to discover [Briggs' choral music]"

RECORD REVIEW

"One of the joys of the Delphian label is its willingness to take a punt on upcoming composers. In this case its “portrait of premieres” spotlights Kerensa Briggs, a graduate of King’s College London, now in her early thirties. The main feature is her Requiem, performed by the choir of her alma mater, whose angelic homogeneity reveals a composer of deep-rooted sincerity and, to some extent, unfashionable conservatism. Based on Gregorian chant, what transpires is a mellifluous stream of consciousness, a modal tapestry clearly influenced by the French sacred music of, say, Duruflé and his contemporaries. Under director Joseph Fort, and accompanied by organist Richard Gowers, this stylish choir find genuine warmth in a work that clearly comes from the heart ... The album ends with a series of shorter works, including a rather beautiful Magnificat and Nunc Dimittis, pairing of The Windsor Service"

★ ★ ★ ★

" Kerensa Briggs has written a wonderful setting of the Requiem. I haven’t previously heard a composition by her on such a large scale and I was seriously impressed with the quality, eloquence and sincerity of the piece. She responds very acutely to the words she has chosen to set and the result is that the Requiem is beautiful and affecting. She is superbly served by the performers on this first recording. [Briggs' music] is consistently beautiful ... In Anita Monserrat we hear a singer who is ideally suited to the music. Her voice is well-focused, rich and round-toned and she sings with fine expressiveness ... I hope that the music will receive a higher profile through this recording, leading to other choirs taking it up"

JOHN QUINN
MUSICWEB INTERNATIONAL

read the full review here