"This is an assuredly faultless interpretation of the divine masterpiece, luminous, richly textured, rapturous and reverent, every note and nuance clearly expressive, rich and passionate, yet movingly persuasive. The unison in the swelling choral passages carries what can only be described as a numinous quality - felt, intuited, experienced even completely detached as this critic is from the Russian orthodox ritualistic incantations, liturgical hymns and canticles and with little insight into the specific references. This in itself and the feeling of immediacy and Russian authenticity, not least in the bass voicing, is quite remarkable given that the All-Night Vigil was never written as a concert performance piece, and the musical spirituality is deeply embedded in the act of worship ... Although there have been some 30 prestigious recordings of the piece this century alone, this from Delphian’s burgeoning discography is a must-have for all who love Rachmaninoff"

"Meticulously articulated: the choir's attention to detail is admirable throughout ... an attractive listening experience"

The commitment is evident at once in the way the choir sings ‘O come, let us worship’: Joseph Fort and his choir make this into the urgent call to worship that it should be. The sound is bright, fresh and clear; given the numbers involved, it’s no surprise to find the soprano line comes through strongly, though not in a dominant way ... ‘Blessed art Thou, O Lord’ shows how disciplined this choir is; they make the most of the contrasts in the music – but without any unwarranted exaggeration – and I thought their performance was not only committed but also genuinely exciting, especially as the piece nears its conclusion ... There’s a great deal to enjoy and admire here. Joseph Fort has clearly prepared his choir with great thoroughness ... The quality of their singing is enhanced by the recorded sound. I’m rarely, if ever, disappointed by Delphian sound. On this occasion producer/engineer Paul Baxter has captured expertly the sound of the choir in the lovely acoustic of All Hallows Church. There’s just the right amount of warmth and resonance to the sound, but the sympathetic acoustic doesn’t interfere with clarity. In short, I find the sound ideal ... This is a worthy tribute to Sergei Rachmaninoff in his anniversary year. It’s also a feather in the cap of this fine choir"

MUSICWEB INTERNATIONAL
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"King’s College have a light, buoyant sound and plunge us straight into Rachmaninov’s sound world"