A rapid transformation in musical tastes occurred in the years around 1500, with the widespread distribution of part-music in the new medium of print – it was in this context that the consort of viols emerged.
For their third recording on Delphian, the Rose Consort of Viols use a set of instruments modelled on those depicted in a Bolognese altarpiece dating from 1497. Peerless early-music mezzo Clare Wilkinson joins the consort in a sophisticated interweaving of voices that casts revealing light on the earliest music for this innovative ensemble.