The final volume in Delphian’s survey of Messiaen’s complete organ music takes in his earliest published works, in which the ‘abundance of technical means allows the heart to overflow freely’.
The British Harrison instrument in St George’s Chapel, Windsor Castle reveals a surprising ability to speak with a French accent in this music, and Timothy Byram-Wigfield’s combination of virtuosic majesty with a compelling and loving faith has captured the imagination of reviewers.